The Picnic Saloon Trust


   Registered Charity Nº1024538


LNWR Picnic Saloon 182

BODY

A train consisting of mainly 30' 1" carriages
A train consisting of mainly 30' 1" carriages behind an Precursor tank
 
We were fortunate that our body was structurally sound and complete. One side had been facing a cricket green and suffered from cricket ball damage. It had then been protected by wire netting stapled on, so in the end we replaced most panels on that side and about four panels on the second side. "New" panels were obtained first from our stock of spares, but the long lower panel had to be new. This is a single piece of 3/8in thick solid mahogany two feet wide and over nine feet long. The back was painted with PVA and hessian applied to resist splitting, just as Wolverton Works had done when it was built and we obtained professional help to fit it! After seeing what happened to other restored carriages, we did not use plywood panels at all, but a few were machine made from narrowed boards with tongued and grooved joints. Most beading was salvaged and no new beads had to be made.

When received, we were missing one door, but Quainton's extensive stock of spare doors provided one which fitted exactly.

Paint was applied in the old fashioned way with many coats, rubbed down between with various grades of sandpaper.

Under cover at the Bucks Rly Centre
We are very fortunate to be housed under cover at the Buckinghamshire Railway Centre, Quainton
There were no fittings on the body as found, so door handles and commode (grab) handles were salvaged from various grounded bodies. We salvaged a few door stops, but had to make more from solid brass to match the originals which are in pairs, one beng solid and the other having a rubber core. We were very lucky in that of the couple of dozen grounded bodies broken up over the years, just one had a pair of destination board brackets which we were able to use to make a replica pair from brass. When bodies were sold by the railway, metal fittings were generally removed, but we were again very lucky that one body was grounded within the boundaries of Wolverton Works and purchasing it provided a pair of curved end handrails which are a complex shape and difficult to replicate correctly.

ROOF

After stripping the roof of old canvas and many layers of white lead, the boards were planed flat (well, curved!) and painted with primer. At this point the normal process these days is to glue on a waterproofed canvas, but we wanted to do it correctly, as it was done when new. The NRM said it couldn't be done today, so that was red rag to a bull and we applied for, and obtained, a licence to use white lead. Twenty five litres were used, together with 20 metres of 72in wide linen canvas from Kirkcaldy in Scotland, one of the few mills remaining which still makes linen canvas in anything like the correct weight.

The process is to paint the roof with white lead, lay the canvas on, stretch it all round and fix with tacks at the cantrail and at the ends. Following the documented LNWR process, several further coats of white lead were applied including one of white lead and red lead mixed (yes, pink!) which we believe probably served as an indication to the railway that the roof was wearing and needed a repaint.

Gutters were screwed on, and new end strips which we had in our spares stock (as one does!) and holes cut for the torpedo ventilators, gas lamps, water tank fillers for the lavatory compartment and the rooflights in the luggage compartment.

The rooflights are 1in thick pine and were carefully stripped and rebuilt retaining the original glass. Our understanding is that if the glass had to be replaced it would need to be safety glass which would be a different colour and look quite different.

UNDERFRAME

Stripping the underframe took a very long time, needle gunning to bare metal, repairing where required and painting. We also undertook a careful analysis of holes, checking what every one was for and only then welding up any we were confident were not contemporary with its use under a carriage body.

The centre wheelset had been removed many years previously. A contact inside Wolverton Works located an accommodation diamond-framed bogie which was rarely used and we bought it for the axleboxes. New springs were purchased at considerable cost and all the spring hangers and auxiliary spring housings which had been long lost were made new and fitted with new rubbers.

Originally our carriage had Mansell wheels but these had been replaced by steel wheels and of course we had one pair missing. We knew that Wolverton Works had three axles of Mansell wheels but they would not sell them. One day we heard that the Works Manager had been replaced and later that week a lorry arrived at Quainton with three axles of Mansell wheels, free of charge! Later, Wolverton collected the wheels from us, pressed them off their axles, re-profiled the journal ends to match our axlebixes, re-pressed the wheels onto the axles and returned them to Quainton together with two helpful chaps from the wheel shop who fitted them for us including lapping in the bearings. Wolverton Works was a wonderful help to us at that period, thanks largely to their Wheel Shop Foreman the sadly missed Bill West

The screw couplings were non-original, but at the time the Bluebell Railway were updating the couplings on their LNWR Observation Saloon to a later spec and kindly donated the correct LNWR couplings to us, and they fitted perfectly.

When our underframe was converted for use beneath a van, the gas cylinder supports were replaced by a pair of simple angle irons. The correct supports are 2in angle and curved around the 12in diameter cylinders. By great good fortune, the K&ESR were rebuilding their LNWR 30ft 1in Inspection Saloon for electric lighting at the time, so we arranged a swap of brackets which saved us a great deal of time and money.

Quainton Road has a contemporary LNWR 30ft 1in Brake from which we borrowed a footboard bracket and had a complete new set fabricated. The Footboards themselves are made from scaffold boards which happened to be exactly the right size, though the various flaps and shapes in them took some care to replicate to match the Wolverton drawing. Lower footboards were removed (from 1900?) but we decided to fit both upper and lower because from track level they make it so much easier to get into the carriage, especially when one is less agile than in years past.

The only brakes on the underframe as bought were a simple handbrake which we removed and have yet to install the correct vacuum brakegear.

Finally, all LNWR carriages had 1in thick rubber blocks located between the body and the underframe, to provide insulation from noise and vibration. We had a new set made.

RESTORING THE INTERIOR

The doorway
This is the doorway from the saloon to the lavatory. With the panelling removed the structure can be seen, together with the names of those who worked on it.
The Trust has always tried to do things in a methodical manner and so the interior was left in the first years. Due to problems brought on by others work halted on the Saloon for several years, only restarting in 2015.

The panelling was covered in old French polish which had deteriorated with the passing years going into hard lumps which had attracted dirt and dust; there was evidence of woodworm activity, some of it fresh, in the softer woods, one bench seat was entirely missing as was one more seat end, the floor lino was very badly cracked into small irregular pieces and the ceiling patterned covering had been repaired with nails were it had sagged due to a historic roof leak. In the early years a distant member had offered to make two new seat ends and had taken one as a sample. Unfortunately, when the Trust found that he had died they were told that all his wood had been disposed of! A detailed photographic survey was made of the entire interior before any work started.

Linoleum floor covering
The floor covering is linoleum which we are certain is the original because we have seen the same design on several grounded bodies. It was too poor to save, so we have cut out a large square which will be cleaned and framed for reference purposes and we will fit a modern equivalent until an authentic copy becomes a possibility

Careful study of the panels revealed that they were all screwed into place, that several had been distorted by damp, that other things had been fixed to them in places and that the woodworm found them attractive! With the aim of a high quality restoration replacement was the best option.

Fortunately, a GA drawing (General Arrangement) has come to light which reveals that the panelling is birch and the mouldings are teak so a programme of replacement was formulated. The advice from a furniture restorer was that French polish is difficult and time consuming to apply to any degree of quality and that we would be better off using a modern varnish which would also be better for the way the Saloon would be kept and used.

Whilst solid birch panels may still be available the easier and cheaper option was to use birch faced ply sheet at around 65 each. Each piece has been cut to fit its location keeping the flow of grain in the correct direction. They are fixed in place after being stained and varnished separately to avoid tell-tale brush marks.

When the old panelling was removed from the first end we discovered that these birch panels were thin ply backed by old LNWR pictures beneath the end luggage racks mainly of views not previously known to collectors. Each had been cut to fit the space so we have one of a Victorian or Edwardian pier without a location title! The second end was finished in the same way but not the side panels which had thicker birch sheet.

It was found that there are many small pieces of moulding trim much of it fixed with amazingly long pin nails of up to 1.5 inch length. Most nails prefer to stay in the wood frame and so pull through the mouldings often breaking them in the process of removal!

SPARES STOCK

In the early years when the Saloon was first rescued the countryside was seemingly 'littered' with coach bodies often of a similar saloon type and the opportunity was grabbed to recover as many smaller parts as possible which has resulted in a wonderful stock in which to seek suitable parts to replace those that are twisted, damaged or in otherwise poor condition. Sometimes they need trimming to size. For future restorers each is marked on the back that it is from spares stock. Spares stock includes an upholstered corner seat frame and the remains of two bench seats which are proving very useful in the re-upholstery.

THE CEILING

The ceiling had a square based repeating pattern paper that was thought not to be original as surviving photos show a convoluted flowery pattern. Research with the modern day Lincrusta company has revealed that this pattern was introduced to the world at a Geneva trade fair in 1921. Bearing in mind the roof leak distortion the decision was made to replace the ceiling. The original Lincrusta had been fixed to a board that resembled a cross between cardboard and hardboard and all of this was replaced with a modern 3-ply sheet cut into 2 foot wide panels and held on with 850 screws in a style very similar to the old ceiling. But why had the ceiling been replaced?

We now believe that there had been a fire in the Saloon towards the end of one bench seat which caused a long term roof leak and a replacement ceiling. On a typical British summer's day it can be quite cold, even wet, and with the Saloon in an isolated siding it lacked heat. If you tip out the ice bucket and pop in the serviettes, maybe a newspaper, too, and apply a match the flames could catch the seating and ceiling scorching the panels on the way. With only a soda syphon or two as fire extinguishers you have a problem.

THE SEATS

The original seat ends
Original seat ends rowed up ready to fit! These were saved from two different carriages but built only a couple of years apart
One 13.5 foot bench seat and a seat end needed creating. Comparison with the GA drawing showed that these need bulbous heads and ours didn't have them but marks on the walls showed they had probably been removed when the body was sold out of railway service. So, where do you get new ones? Well, we started with our spares stock and found four single and two double back to back seat ends which, after attention with a circular saw became eight singles - four each left and right handed - just what we need. They are from different vehicles and have slight differences in design finish but they get us out of a big problem. The five old, cut down ends have been kept.

The moquette
The moquette, a particularly hard wearing material

There was a lot of time spent cleaning these seat ends four of which still had their railway upholstery attached. Three have been cleaned of this with the 4th kept as a reference for Ken, our upholsterer, but will follow in due course.

Seats need a suitable finishing material, known on railways as moquette, a particularly hard wearing material. We knew the design we wanted but minimum orders at the mill would give us enough for six or eight coaches, if we could afford it. Eventually, a friend at the Midland Railway Centre, Butterley offered the three rolls they had and one of us had a sleeping car style tip-up wash hand basin and we had a deal!

GENEALOGY

At various stages during the interior work surnames have been found. The most common by far is Hickson though Arnold has also been seen. In one place it is Hickson & Arnold though neither is listed among the known staff at Wolverton Works which probably shows that the records are, as yet, incomplete.

THE CURRENT POSITION - May 2018

The saloon interior completely stripped, treated for woodworm and cleaned. The new ceiling has been fixed ready for papering and restored paneling is also ready to fit once the seats have been upholstered
The ceiling awaits papering - any offers? We have purchased a reasonably close look-a-like modern embossed paper with a flowery pattern as it hasn't proved possible to either design or make a correct original pattern. It's a good second but would be relatively easy to replace if a better version became available.

The restored wall panels have been trial fitted mainly to ascertain the exact design and positioning of the new seat backs. All have been returned to our workshop for final checks and finishing.

The seat backs are going through the upholsterer's skilled hands.

The heavily patched remains of the old lino have been disposed of with one square yard section kept for reference. The floor has been cleaned of around 300 nails.

A large number of smaller pieces of mouldings and trims are at different stages of being cleaned and varnished with three coats to give a pleasing finish. The seat ends await their last two coats and refitting of trims and beads which are being worked separately. Each bead is being predrilled for its pins to avoid splitting of this old, dry wood. A numbering system being created to ensure all fits together later.

All the seat bases and the entire 'bare bones' interior have now had three coats of wood worm & rot preventer - more than four gallons @ £23/gallon.

JUNE 2018.

The repaired seat end after varnishing and gold lining
can you see the repair?
 

Seat ends. Work this month has concentrated on reassembly of all 64 strips of beading back onto their seat ends. There will be eight in due course but one has been set aside as a source of information for our upholsterer, Ken, as it still has original moquette attached. This wonderful source of information is being retained, in its ex coachbody condition, for the time being. Once Ken has started on the seat ends then this, too, will be stripped and restored though some parts have already been removed for cleaning.

The other seven seat ends have now had their moldings and beadings re-fixed, a fiddly and time consuming task which for one seat end was particularly tiresome as there was a 1.5 inch section of curve missing altogether. After cutting tapered slices of spare straight section and gluing into position there then followed a careful sanding to lose the edges. Pleasingly, when someone came to view I couldn't find it straight away. Before re-fixing with 1mm veneer pins each piece of bead was drilled with a 1mm dremel drill to avoid the 130 year old wood splitting, only on one short piece this didn't work but filler hid the split. The drill holes were all made in the part where the gold line sits so that each nail head could be hidden. All seven have now been varnished in an attempt to seal and protect everything.

Four seat ends and the problem panel (number 13...!) just after final coat varnishing.
Three completed seat ends in the toast rack store.
The unrestored sample on the right

Upholstery. Ken is progressing nicely (and rather fast!) with the new upholstery and the two long bench seat backs are back in the store awaiting the supply of buttons to arrive. A dust sheet loosely covers each one.
LNWR coat hooks - five more are needed.
 

Inside Kidderminster Museum.
Luggage racks. Attention is turning to the creation of luggage racks. As we have no spares or photos of these (only screw holes) a search in LNWR Society and other archives for photographs has established that none can be found so a research trip to the NRM is planned. There are a considerable number of drawings at York that appear, in their description, to be useful. We think we know the shape is the same as that in the Dundalk, Newry & Greenore Railway coach in the museum at Cultra, Northern Ireland as the DN&GR was owned by the LNWR but a drawing is needed to have a pattern made.

Coat hooks. We are still on the lookout for five more coat hooks to match our existing three. If needs must we could use one for a lost wax casting but it would be great to find an original. It is also possible that a drawing will surface at York.

Back at the turn of the year I put our name down to attend the LNWR day in July at the Kidderminster Railway Museum which is very good - have you been? We had a good day and it gave us the opportunity to showcase some of our work, talk to people and raise a few much needed pennies. Somewhat inevitably, a photo doesn't do the view justice as the background gains more prominence.


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